Come From Away

Come From Away is written in a bright yellow, with the O in the word "from" drawn as the globe. The background is a deep blue wood grain.

Show Details

Performance Schedule

TUESDAY, WEDNESDAY & THURSDAY @ 7 PM
FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM

Run Dates

October 21, 2016 - Open Run

Upcoming Scheduled Events

No scheduled performances found.

Running Time

1:40 hrs

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Show Description

On September 11, 2001 the world stopped. On September 12, their stories moved us all.

In a heartbeat, 38 planes with 6,579 passengers were stranded in a remote town in Newfoundland. The locals opened their hearts and homes, hosting this international community of strangers – spurring unexpected camaraderie in extraordinary circumstances.

Tickets


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Standard Tickets


October 21, 2016 - Open Run

Wheelchair seating, assistive listening devices, loopSystem, handheld captions, and prerecorded audio description are always available.

For Show Times, see Performance Schedule above.


Wheelchair

Use the standard ticket button to purchase tickets.

Hearing: Assistive Listening Devices

Use the standard ticket button to purchase tickets.

Hearing: Loop Systems

Personal Induction Loops

Use the standard ticket button to purchase tickets.

Closed Captioning

Captioning is available on your personal device via the GalaPro app or at the theatre with valid ID

Use the standard ticket button to purchase tickets.

Audio Description: Pre-recorded

AD is available on your personal device via the GalaPro app or at the theatre with valid ID

Use the standard ticket button to purchase tickets.

Theatre Details

Address

Gerald Schoenfeld Theatre
236 West 45th Street
New York City, NY 10036

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Public Transportation

By Subway: 1, 2, 3 to 42nd Street

Additional Accessibility Details

Wheelchairs: Theatre is not completely wheelchair accessible. There are no steps into the theatre from the sidewalk. Please be advised that where there are steps either into or within the theatre, & are unable to provide assistance.

Seating: Seating is accessible to all parts of the Orchestra without steps. There are no steps to the designated wheelchair seating location.

Elevator\Escalator: None on Premises

Curb Ramps: yes

Entrance: The entrance to the theatre is street level.

Box Office: The counter is not wheelchair accessible.

Restroom: A wheelchair accessible restroom (unisex) is located on the main level.

Water Fountain: Located in restrooms

Telephone: None on premises

Assisted Listening System: Reservations are not necessary. Please call: (212) 582-7678 to reserve in advance. Drivers license or ID with printed address required as a deposit. Closed Captioning is also available through the GalaPro app. For more information on GalaPro, check here: https://www.galapro.com/

Visual Assistance: There are seats reserved in the second and third row for the visually impaired. Audio Description is also available through the GalaPro app. More information can be found here: https://www.galapro.com/

Folding Armrests: None available

Translation: Subtitled language translations available in Spanish,Japanese, Korean & Chinese for $5 on the GalaPro app. For more information, go to https://www.galapro.com/

Reviews (3)

Try, if you must, to resist the gale of good will that blows out of “Come From Away,” the big bearhug of a musical that opened on Sunday night at the Gerald Schoenfeld Theater. But even the most stalwart cynics may have trouble staying dry-eyed during this portrait of heroic hospitality under extraordinary pressure.

Read More of the New York Times Review

Come From Away speaks the common language of just folks, and it sings and dances with the authentic inspirationof Newfoundland’s Celtic-based music, suffused with the hypnotic thrum of the bodhrán, the adrenalin rush of fiddle and strings, the soaring lilt of whistles and Uilleann pipes and the soulful underpinning of a harmonium.

Read More of the DateLine Hollywood Review

"With the arrival of “Come From Away” to Broadway’s 2016-17 season, joining such accomplished new shows as “Dear Evan Hansen” and “Natasha, Pierre and the Great Comet of 1812,”
the Tony race for best musical of the year just got interesting."

Read More of the Washington Post Review